Thursday 6 March 2014

The Wolverine

Stretching it a bit.

The barely-present romantic subplot was completely pointless and transparently tacked-on, the samurai/Yakuza/'disrespect' Japanese setting felt uncomfortably stereotypical, and the secondary villain had no backstory whatsoever. Jackman is once again the perfect Wolverine (the opening sequence in the bar was done well), physically (holy Christ) and tonally, but the film feels like a tedious attempt to wring a higher movie count out of the character. About the only useful transformation as a result is showing Logan's turmoil over Jean's fate - something that could have been accomplished in a flashback or vignette as part of the next X-Men story.

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